Rane TTM 57SL Manual do Operador descarregar pdf (Página 47)

P1 Delay / Tap BPM

Once you turn P1, the lock icon

disappears, the Multiplier number turns

white and P1 becomes a Delay control.

Delay has a range of 1ms to 2.9 seconds,

and a track without a BPM tag will start at

500 ms. A slow turn gives 1ms adjustment

resolution, while a fast turn increases

the resolution to 200 ms per step. To get

back to the original BPM after adjusting

Delay, select a multiplier with J1, and the

Multiplier number changes to green. A

single Tap of P1 resyncs the delay to the

BPM.

Multiplier

Pressing J1 toggles between normal

transform operation (indicator off) and

the BPM Multiplier (green indicator on).

With the green indicator lit, J1 adjusts

the multiplier to 4, 2, 1, 3/4, ½, 1/4, 1/8,

or 1/16. Multipliers that exceed the Delay

memory will not function and are grayed-

out in the software control panel. If BPM is

set with tapping, the multiplier is set to 1.

The multiplier is not reset when the BPM

is set via the ID3 tag, so your subsequent

tracks can stay at x4 if you wish. The

active Multiplier is shown in green text

when locked to a BPM.

Feedback

Feedback is the amount of delayed signal

fed back to the delay input. Feedback

minimum to maximum is 11/3 rotations

of P2. The Delay clears after one

circulation when Feedback is brought to

0%. The Delay clears immediately when

uninserted, but changing the insert point

does not clear the feedback loop. This

is useful for adding PGM 2 Echo to the

fading PGM 1 Echo. To clear the loop

and start a fresh Echo immediately, rapid

double-click on the insert point B1, B2,

B3 or B4.

Wet / Dry Mix

Pressing J2 toggles between transform

operation (indicator off) and Wet / Dry

control (green indicator on). The hold echo

default is 50% Wet / 50% Dry. J2 has the

same operation on all effects. See “J2

Wet / Dry Mix” on page 44.

Desecrator Control

Assignments

The Desecrator adds controlled distortion,

from ne dust to rusty metal spikes, by

allowing adjustment of bit-depth and

sample rate without dithering or anti-

aliasing. Clipping can be a ne shave, or

enough for a wig! Signal ow and control

is shown below.

GROUPDECK

P1 P2

B1 B2

B3 B4 B5 B6

PROCESSOR 1

DRIVE LEVEL SAMPLE RATE

BIT DEPTHTAP BPM

PROCESSOR 2

PGM 1 PGM 2 AUX B MAIN ON ON

INSERT POINT CUE EFFECT

ALL WET

DRY

ALL DRY

WET

•

Drive

Level

•

Sample

Rate

•

Bit

Depth

44.1 kHz

to 34 Hz

3 to

24 bits

Inverse

Drive

Level

P1 Drive Level

The only function of P1 (indicator off) is

Drive Level, adjusting from 0 dB to +24

dB in 32 uniform steps. To keep audio

output level constant, inverse gain is

applied after the bit-depth stage. A slight

level reduction occurs when clipping. P1

has no second function when using the

Desecrator.

J1 has no function when using the

Desecrator.

Sample Rate / Bit Depth

Sample Rate is the primary function of P2

(indicator off) adjusting the sample rate

from a clean 44.1 kHz to a dirty 34 Hz

over 32 steps with 1/3-octave spacing.

Bit Depth is adjusted with the second

function of P2 (green indicator on) adjusts

from a creamy 24 bits to a crunchy 3 bits

in 22 steps. Increasing the P1 Drive Level

increases the spreadability when bits are

reduced to a single digit.

Wet / Dry Mix

Pressing J2 toggles between transform

operation (indicator off) and Wet /

Dry control (green indicator on). The

desecrator default is 100% wet. J2 has

the same operation on all effects. See “J2

Wet / Dry Mix” on page 44.

RANE TTM 57SL MIXER FOR SERATO SCRATCH LIVE • OPERATOR’S MANUAL 2.4.4

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